Loïc Bonnefont

From the imaginary to global thought, the artist brings together the essential elements of life, represented in a magical connection with the universe. Plans, projections that combine in infinite spaces, perspectives and lines that define concerts between the human and the non-human.

His paintings go beyond the imaginary, without limits or borders. Very soon he was associated with the technique of oil painting in creation mixed media whose textures, richness of materials, contrasting effects offer him the best moments.

His painting wants to be that of the imaginary, free from all borders. He likes nothing more than the confrontation with matter, with drawing in the first place, than that technical challenge of reproducing the mental images that infuse him with innumerable nomadic ideas and emotions, and thus recreate a transposed reality.

He plays with duality, with his acute sense of observation, through forms and their containers: Metamorphoses, passages, suggestions upset our feeling of the infinite and the finite, of the exterior and the interior, of the concrete and the abstract, ranging from

provocative to modest in power or in the lightness of the unusual.

He likes nothing more than the comparison with the material, with the design above all, that this technique challenges him to reproduce the mental images instilled in him by innumerable nomadic ideas and emotions, and thus recreate a transposed reality. He likes to draw oil paintings of these vastly different visions. In this painting, the theme of openings, revealing cells of life in the sidereal void is shown in a unique way. The basic idea is to suggest that everything, beyond first beliefs, is connected.

And the ties that bind all things together are represented here by the intertwining of energies that emanate from the trees of life.

There, too, humanity, enclosed in these trees, initiated, perhaps symbolizing the animistic forces of nature, the mysteries of life, simultaneously delivers and takes in the energy of the universal forces that constitute it, at the threshold of its space.

Then harmony is possible. We are in ourselves, again, these couples, these complex entities that man has not stopped investigating since the dawn of humanity, from Vedic India to modern philosophy. In the guidelines of life, the idea that man finally no longer perceives himself as a separate entity, either in his natural environment or in that of his own society, was the main emotion that gone with him throughout of this painting.